Sitemap - 2021 - Adam Ferguson
Full Interview: Documenting America’s Fault Lines
Documenting America’s Fault Lines
Reflecting on Work I Made as an Art Student: Part Two
Reflecting on Work I Made as an Art Student: Part One
How Do You Match Your Lighting to a Story?
Recreating Hospital Lighting for a Feature about Covid-19 Treatments
I Fucked up a Portrait of the Navy Seal Who Shot Osama Bin Laden
Searching for a Story in the Heart of Australia - Part 2
Searching for a Story in the Heart of Australia - Part 1
Understanding Early Motherhood Through Photography
An invitation to ask me questions about anything you like
Translating a Psychedelic Experience with Photography
Boredom, Fragility, and Exhaustion in the Forever War
An Experimental Portrait of Trauma
The Photos You Have to Leave Behind
Inside the Process of Editing a Photo Feature
Chasing Climate Change in the American West
A Photographer’s Life on the Ground as Afghanistan Faces an Uncertain Future
When a Photograph Fits Into the Story You Want to Tell
How I Develop a Personal Project
The Photo Books That Made Me Love Photography
A Last-Minute Shoot with Mike Pompeo
Jessica Dimmock on Transitioning from Documentary Photography to Film
What’s your favorite lighting style?
On Alienating and Isolating Your Subject
Outtakes, Contact Sheets, and What I Learned at the Border
Collaborative Portraits with Migrants
Developing a Mood for a Portrait Sitting
Deconstructing the Colonial Gaze
Feeling Lost and Pushing Through
Portraits of Dissent and a Manifestation of Surveillance
Reader Thread: How Should a Photographer be Present?
Unpacking Propaganda in ‘Sorry for the War’
Rituals and Repetition on the Street with Daniel Arnold